criteria of negro art sparknotes

I remember tonight four beautiful things: the Cathedral at Cologne, a forest in stone, set in light and changing shadow, echoing with sunlight and solemn song; a village of the Veys in West Africa, a little thing of mauve and purple, quiet, lying content and shining in the sun; a black and velvet room where on a throne rests, in old and yellowing marble, the broken curves of the Venus de Milo; a single phrase of music in the Southern South utter melody, haunting and appealing, suddenly arising out of night and eternity, beneath the moon. African Americans centuries-long struggle for freedom had made them the prophets of democracy and the artistic vanguard of American culture. The society thinks that up until that time, the Negroes were low lives who are incapable of artistic appreciation and production. This essay is going to focus on the relationship between poetry, politics and representation while relying on the poem We Wear the Mark by Paul Lawrence Dunbar. Around me fell the cadence of that poetry of my youth. After all, what have we who are slaves and black to do with Art?". One of them was a story of a folk who found fire and then went wandering in the gloom of night seeking again the stars they had once known and lost; suddenly out of blackness they looked up and there loomed the heavens; and what was it that they said? [4], There is a colored woman in Chicago who is a great musician. +?n8{}(%":[u?q{ugAmm?_1[Uf=O}n{OR0;n;S GF3l>1Ct-X]&3y_iTjsZ"J`X4@+D=UQJhf4sn`+~))Sjj==[X%Um@U>H%+HW-.:,*?E6IX#F^7& 9_OrZ/QPAL 0Kb0Gd1}dH ;IcSwmK{x~34M6p+$MH;IhxVxut10>) U x5!V 2Sy;PS}b

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criteria of negro art sparknotes